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Bennett Reimer : ウィキペディア英語版 | Bennett Reimer
Bennett Reimer〔Reimer, B. (2008). Personal Communication. 10-03-08.〕 (June 19, 1932 – November 18, 2013) held the John W. Beattie Endowed Chair in Music at Northwestern University from 1978 until retirement in 1997, where he was Chair of the Music Education Department, Director of the Ph.D. program in Music Education, and founder and Director of the (Center for the Study of Education and the Musical Experience ), a research group of Ph.D. students and faculty. A native of New York City where he was born in 1932, he previously was on the faculties of Case Western Reserve University, Cleveland, Ohio (1965–1978) where he held the Kulas Endowed Chair in Music and was Chair of the Music Education Department; the University of Illinois, Urbana (1960–1965); Madison College, Harrisonburg, Virginia (1958–1960); and the Richmond Professional Institute of the College of William and Mary, (1955–1957). He holds the bachelor's degree in Music Education from the State University of New York at Fredonia, and master's and doctorate degrees in Music Education from the University of Illinois, where he worked with Charles Leonhard and Harry Broudy. Beginning his career in music as a clarinetist and then oboist, Reimer then became a specialist in the philosophy of music education, curriculum development, theory of research, and comprehensive arts education programs. ==Publications== Reimer’s book ''A Philosophy of Music Education'',〔Reimer, B. (2003). ''A philosophy of music education: Advancing the vision''. Upper Saddle River, New Jersey: Prentice Hall.〕 first published in 1970, a second edition in 1989, and a third edition, ''A Philosophy of Music Education: Advancing the Vision'', in 2003, (Prentice Hall) has been translated into French, Japanese, and Chinese, with a Greek edition in preparation. He was the author and editor of some two dozen other books and has written over 145 articles and chapters on a variety of topics in music and arts education. Reimer’s textbooks on music for grades one through eight, Silver Burdett Music, were the most widely used throughout the United States and the world for two decades.
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